In REVERBERATED EMISSIONS, bodies, space and music reverb on each other. Through reconstructing, warping, pushing and pulling, the dancers fall, skip and bend to exhilarating and sometimes comical environments. Their sensual interplay reminisces of a dance that might have already happened but is yet to come. 

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With this piece, I continued my research on the body's relationship to gravity and aimed to develop further the characteristics of the warping practice I have been developing. Looking for a reconfiguration of the body's perception of itself and an alteration of its dance history, I want to focus on the development of a spectacle that is driven by fantasy.